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November 19
12
5
29

Perth,
Western Australia
(Old Edition)

Ivan remembers the greats

Historian Ivan King with Jill Perryman's costume from Hello Dolly.

Even the desk of theatre historian Ivan King has a story to tell.

It's is an old table from Dirty Dick's Theatre Restaurant, deeply scarred over the years with patrons' initials.

"There's hardly anyone who doesn't claim to have carved his signature here," Ivan comments dryly.

Sitting at the desk in his office at His Majesty's Theatre, he entertains from his vast store of theatrical knowledge with stories like the one about the infamous Walter Plinge.

Somewhere in the rabbit-warren that makes up the hallowed halls of His Majesty's, there is a special room dedicated to the actor Walter Plinge, who last made an appearance in the 1930 production of School For Scandal.

Should I have heard of this revered actor?

Ivan delights in telling the tale of this mythical actor whose name appeared on programs when an actor in a leading role was also doing a walk-on part.

"An actor of repute did not wish it to be known that he was also playing these small insignificant roles and so he would appear as these characters under the pseudonym of Walter Plinge," explained Ivan.

Two illustrations from a folder of costume prints, from 1889.

There were also actors whose names did not appear on programs at all.

On the 1854 silk program for the Amateur Theatrical production at the Court-House all the actresses' names were left blank.

In those days no "lady" should be seen on stage, so women appeared anonymously.

Or there's the story of Australia's first native-born star, Nellie Stewart (Sweet Kitty Belair) who, during a heatwave in Kalgoorlie insisted on having her trailer installed in the ice works.

While everyone else sweated it out she swept cooly on to the stage. Nellie Melba, years later, insisted on the same icy treatment.

Part of the current performing arts exhibition in His Majesty's dress circle foyer is a photographic display of Perth's old picture houses, called "In the 'burbs".

The old picture houses - Camelot in Mosman Park was the first one to use the word cinema in 1939 - includes one particularly close to Ivan's heart.

The Renown in Midland, which opened in 1929, was where the young Ivan had a Sunday job helping his caretaker grandfather clean the theatre. Since Ivan comes from a family of "bushwhackers", he supposes this is where he got his love of theatre.

Recalling his acting days, Ivan describes how he used to finish one show on Saturday and start the next one on Monday.

"I would go from some searing drama into an opera, into a vaudeville," he said. "I was doing seven or eight shows a year in those days."

A signed copy of Dame Nellie Melba's book, produced for the World War I Belgian Relief Fund.

Around 1980 Ivan started collecting memorabilia from Perth theatre's early days.

"The collection began under my bed," said Ivan, who initially held an honorary position as theatre archivist. Now he is employed by the Perth Theatre Trust as the Performing Arts Museum's historian.

The collection has expanded dramatically and now includes photographs, programs, posters, press cuttings, scripts, designs and costumes, amounting to about 25,000 items

They pile up in envelopes, filing cabinets, archive boxes and storage rooms. The basement holds the larger items, like an old wind machine.

Everything is lovingly preserved and carefully recorded.

Ivan is also compiling oral histories, listening to stories about vaudeville tours in the country where the moon provided a better make-up light than the dressing rooms, when rats used to get into the face make-up of boiled-down fat; and when an actress mislaid her bonnet only to discover that rats had carried it off up into the rafters...

"People donate their precious memories," said Ivan, showing a 1917 framed program of The Messiah that was left at the stage door with the message "May this reside in some secluded corner of our beloved Maj - all those memories..."

The Performing Arts Museum is an ever-changing exhibition in His Majesty's foyers, designed and curated by Ivan with his deft theatrical touch.

"It is a vital part of our cultural history and an intrinsic part of the theatre-going experience," he said.
- Sarah McNeill

Top arts post for Allanah


After an exhaustive selection process, Allanah Lucas has been appointed director of ArtsWA, a role she has been acting in for the past nine months.

ArtsWA is an agency of the Ministry for Culture and the Arts, responsible for the development and support of the performing arts throughout the state.

Allanah, a Mosman Park resident, has been involved in the arts industry for more than 20 years, in government administration, performance and theatre management.

She was even involved in establishing the original Department for the Arts.

She left her job as general manager of the Perth Theatre Company last year to take up the position as acting director of ArtsWA and is confident she can see both sides of the fence.

"I share a lot of common ground with artists and companies because I've been there," Allanah said.

"I know that there is sometimes a certain suspicion of government departments, but I want to make sure that the arts industry understands that ArtsWA is on side.

"It shouldn't always be a 'them and us' situation, we've all got to cooperate and collaborate."

She admires artists and how they often make so much of very little. Allanah said: "One of my main tasks is to bring the arts industry to the attention of the leaders of big business.

"Do we still suffer from cultural cringe?" she asks rhetorically.

"All these people support the arts but nobody ever talks about supporting it.

"The industry is a significant one and I want to bring it more into focus; to get more recognition and respect for the good business sense that exists in this industry."

Funding of the arts is a significant part of ArtsWA's role, but Allanah said at least two thirds of the funding was allocated on a triennial basis, with arts committees allocating the remaining funds annually.

Her role as director was therefore focused on building partnerships to "grow money".

She and her staff were looking for the broad opportunities for resourcing the arts, in both government departments and the private sector.
- Sarah McNeill

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In Post Impressions this week:

Art Dates:
A listing of exhibitions and art events across the Western Suburbs

Cinema:
Wonder Boys

Restaurants:
The Sheraton Wine Awards 2000

Books:
Honey Moons and The Soldier's Return

Music:
The Buena Vista Social Club